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Music: Dead can dance: 1. The Arrival and the Reunion 2. Radharc ---------------------------------------- Alfons (Alphonse)Maria Mucha was a Czech Art Nouveau painter and decorative artist. He was born in the town of Ivančice, Moravia. His singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, even though drawing had been his first love since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery, then in 1879 moved to Vienna to work for a leading Viennese theatrical design company, while informally furthering his artistic education. When a fire destroyed his employer's business in 1881 he returned to Moravia, doing freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts. Poster of Maude Adams as Joan of Arc, 1909Mucha moved to Paris in 1887, and continued his studies at Académie Julian and Academie Colarossi while also producing magazine and advertising illustrations. In 1894, he produced the artwork for a lithographed poster advertising Sarah Bernhardt at the Theatre de la Renaissance. Mucha's lush stylized poster art won him fame and numerous commissions. Mucha produced a flurry of paintings, posters, advertisements, and book illustrations, as well as designs for jewellery, carpets, wallpaper, and theatre sets in what came to be known as the Art Nouveau style. Mucha's works frequently featured beautiful healthy young women in flowing vaguely Neoclassical looking robes, often surrounded by lush flowers which sometimes formed haloes behind the women's heads. His art nouveau style was often imitated. However, this was a style that Mucha attempted to distance himself from throughout his life; he insisted always that, rather than adhering to any fashionable stylistic form, his paintings came purely from within. He declared that art existed only to communicate a spiritual message, and nothing more; hence his frustration at the fame he gained through commercial art, when he wanted always to concentrate on more lofty projects that would ennoble art and his birthplace. Mucha visited the U.S. from 1906 to 1910, and the Society of Illustrators, then returned to the Czech lands and settled in Prague, where he decorated the Theater of Fine Arts, contributed the murals in the Mayor's Office at the Municipal House, and other landmarks of the city. When Czechoslovakia won its independence after World War I, Mucha designed the new postage stamps, banknotes, and other government documents for the new state. The Mucha window in Prague's St. Vitus Cathedral was designed in the early 1930sHe spent many years working on what he considered his masterpiece, The Slav Epic (Slovanská epopej), a series of huge paintings depicting the history of the Slavic peoples, bestowed to the city of Prague in 1928. He had dreamt of completing a series such as this, a celebration of Slavic history, since he was young. Since 1963 the series has been on display in the castle at Moravsky Krumlov. The rising tide of fascism in the late 1930s led to Mucha's works, as well as his Slavic nationalism, being denounced in the press as 'reactionary'. When German troops marched into Czechoslovakia in the spring of 1939, Mucha was among the first people to be arrested by the Gestapo. During the course of the interrogation the aging artist fell ill with pneumonia. Though eventually released, he never recovered from the strain of this event, or seeing his home invaded and overcome. He died in Prague on July 14 of a lung infection, 1939 and was interred there in the Vyšehrad cemetery. ( - from wikipedia.com )

Life and art Alfons Maria Mucha was born in the town of Ivančice, Moravia. His singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, even though drawing had been his first love since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery, then in 1879 moved to Vienna to work for a leading Viennese theatrical design company, while informally furthering his artistic education. When a fire destroyed his employer's business in 1881 he returned to Moravia, doing freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts. Poster of Maude Adams as Joan of Arc, 1909Mucha moved to Paris in 1887, and continued his studies at Académie Julian and Academie Colarossi while also producing magazine and advertising illustrations. In 1894, he produced the artwork for a lithographed poster advertising Sarah Bernhardt at the Theatre de la Renaissance. Mucha's lush stylized poster art won him fame and numerous commissions. Mucha produced a flurry of paintings, posters, advertisements, and book illustrations, as well as designs for jewellery, carpets, wallpaper, and theatre sets in what came to be known as the Art Nouveau style. Mucha's works frequently featured beautiful healthy young women in flowing vaguely Neoclassical looking robes, often surrounded by lush flowers which sometimes formed haloes behind the women's heads. His art nouveau style was often imitated. However, this was a style that Mucha attempted to distance himself from throughout his life; he insisted always that, rather than adhering to any fashionable stylistic form, his paintings came purely from within. He declared that art existed only to communicate a spiritual message, and nothing more; hence his frustration at the fame he gained through commercial art, when he wanted always to concentrate on more lofty projects that would ennoble art and his birthplace. Mucha married Maruška (Marie/Maria) Chytilová on June 10, 1906, in Prague. The couple visited the U.S. from 1906 to 1910, when their daughter, Jaroslava, was born in New York City. The family then returned to the Czech lands and settled in Prague, where he decorated the Theater of Fine Arts, contributed the murals in the Mayor's Office at the Municipal House, and other landmarks of the city. When Czechoslovakia won its independence after World War I, Mucha designed the new postage stamps, banknotes, and other government documents for the new state. The Mucha window in Prague's St. Vitus Cathedral was designed in the early 1930sHe spent many years working on what he considered his masterpiece, The Slav Epic (Slovanská epopej), a series of huge paintings depicting the history of the Slavic peoples, bestowed to the city of Prague in 1928. He had dreamt of completing a series such as this, a celebration of Slavic history, since he was young. Since 1963 the series has been on display in the castle at Moravsky Krumlov. The rising tide of fascism in the late 1930s led to Mucha's works, as well as his Slavic nationalism, being denounced in the press as 'reactionary'. When German troops marched into Czechoslovakia in the spring of 1939, Mucha was among the first people to be arrested by the Gestapo. During the course of the interrogation the aging artist fell ill with pneumonia. Though eventually released, he never recovered from the strain of this event, or seeing his home invaded and overcome. He died in Prague on July 14 of a lung infection, and was interred there in the Vyšehrad cemetery.

Prague Praga Prague, is the capital and largest city of the Czech Republic. Its official name is hlavní město Praha, meaning the Capital City of Prague. Tags: Prague Czech Republic Praga mater urbium Bohemia granako Praha matka měst bokcani Situated on the River Vltava in central Bohemia, Prague has been the political, cultural, and economic center of the Czech state for over 1100 years. The city proper is home to nearly 1.2 million people, while its metropolitan area is estimated to have a population of over 1.9 million. Prague is widely considered to be one of the most beautiful cities in Europe and is among the most visited cities on the continent. Since 1992, the historic centre of Prague has been included in the UNESCO list of World Heritage Sites. Nicknames for Prague have included "the mother of cities" (Praga mater urbium, or "Praha matka měst" in Czech)", "city of a hundred spires" and "the golden city". Some of the most known sights are: Old Town (Staré Město) with its Old Town Square The Astronomical Clock The picturesque Charles Bridge New Town (Nové město) with its busy and historic Wenceslas Square Malá Strana (Lesser Quarter) Prague Castle (the largest castle in the world) with its St. Vitus Cathedral Josefov (the old Jewish quarter) with Old Jewish Cemetery and Old New Synagogue The Lennon Wall Vinohrady The museum of Heydrich assassination in the crypt of the Church of Saints Cyril and Methodius National Museum Vyšehrad castle Petřínská rozhledna, an observation tower on Petřín hill, which resembles the Eiffel Tower Anděl (neighborhood) which is probably the busiest part of the city with a super modern shopping mall and architecture Žižkov Television Tower with observation deck The New Jewish Cemetery in Olšany, location of Franz Kafka's grave The Metronome, a giant, functional metronome that looms over the city The Dancing House (Fred and Ginger Building) The Mucha Museum, showcasing the Art Nouveau works of Alfons Mucha Places connected to writers living in the city, such as Franz Kafka (One popular destination is the Franz Kafka museum) Infant Jesus of Prague Golem of Prague Districts of Prague Prague uprising Prague Zoo Prague Spring International Music Festival Prague Autumn International Music Festival Febiofest One World Film Festival Echoes of the Karlovy Vary International Film Festival Barrandov Studios Prague Writers Festival Prague International Organ Festival Prague Fringe Festival World Roma Festival Premiere of Mozart's Don Giovanni Famous people connected with Prague Prague Praga

Alphonse Maria Mucha(24 July 1860 14 July 1939) was a Czech Art Nouveau painter and decorative artist. Alfons Maria Mucha was born in the town of Ivančice, Moravia (today's region of Czech Republic). His singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, even though drawing had been his first love since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery, then in 1879 moved to Vienna to work for a leading Viennese theatrical design company, while informally furthering his artistic education. When a fire destroyed his employer's business in 1881 he returned to Moravia, doing freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts. Mucha moved to Paris in 1887, and continued his studies at Académie Julian and Académie Colarossi while also producing magazine and advertising illustrations. Around Christmas 1894, Mucha happened to drop into a print shop where there was a sudden and unexpected demand for a new poster to advertise a play starring Sarah Bernhardt, the most famous actress in Paris, at the Théâtre de la Renaissance. Mucha volunteered to produce a lithographed poster within two weeks, and on 1 January 1895, the advertisement for Gismonda appeared on the streets of the city. It was an overnight sensation and announced the new artistic style and its creator to the citizens of Paris.Bernhardt was so satisfied with the success of that first poster that she entered into a 6 years contract with Mucha. Mucha produced a flurry of paintings, posters, advertisements, and book illustrations, as well as designs for jewellery, carpets, wallpaper, and theatre sets in what was initially called the Mucha Style but became know as Art Nouveau. Mucha's works frequently featured beautiful healthy young women in flowing vaguely Neoclassical looking robes, often surrounded by lush flowers which sometimes formed haloes behind the women's heads. In contrast with contemporary poster makers he used paler pastel colors. The 1900 Universal Exhibition in Paris diffused the "Mucha style" internationally. He decorated the Bosnia and Herzegovina Pavilion and collaborated in the Austrian one. His Art Nouveau style was often imitated. However, this was a style that Mucha attempted to distance himself from throughout his life; he insisted always that, rather than adhering to any fashionable stylistic form, his paintings came purely from within and Czech art. He declared that art existed only to communicate a spiritual message, and nothing more; hence his frustration at the fame he gained through commercial art, when he wanted always to concentrate on more lofty projects that would ennoble art and his birthplace. The rising tide of fascism in the late 1930s led to Mucha's works, as well as his Slavic nationalism, being denounced in the press as 'reactionary'. When German troops marched into Czechoslovakia in the spring of 1939, Mucha was among the first people to be arrested by the Gestapo. During the course of the interrogation the aging artist fell ill with pneumonia. Though eventually released, he never recovered from the strain of this event, or seeing his home invaded and overcome. He died in Prague on 14 July of a lung infection, and was interred there in the Vyšehrad cemetery. By the time of his death, Mucha's style was considered outdated. However, his son, author Jiří Mucha, devoted much of his life to writing about him and bringing attention to his art. Interest in Mucha's distinctive style experienced a strong revival in the 1960s (with a general interest in Art Nouveau)and is particularly evident in the psychedelic posters of Hapshash and the Coloured Coat, the collective name for two British artists, Michael English and Nigel Waymouth, who designed posters for groups such as Pink Floyd and The Incredible String Band. In his own country, the new authorities were not interested in Mucha. His Slav Epic was rolled and stored for twenty-five years before being shown in Moravsky Krumlov and only recently has a Mucha museum appeared in Prague, run by his grandson.

Messy and her mom explore castles, open graves, nightclubs, trains and the punk show in Zizkov, woo! songs "Train of Flesh" by Turbonegro, "Cyber Girl (Praha Rmx)" by Attica and "Cemetary Gates" by motherfucking Pantera.

Kateřina García, zpěvačka a multiinstrumentalistka ohromila pražské publikum...hrál s ní i Luboš Malina

Katka García a Luboš Malina koncertovali v létě 2008 v Praze - část 2

Order DVD in Germany: www.filmsortiment.de Documentary about Art Nouveau artist Alphonse Mucha, 52 mins., directed by Susanna Boehm. Music by Geraldine Mucha. Alphonse Mucha (1860 - 1939) is the visionary master of Art Nouveau. Born in what is now known as the Czech Republic, Mucha had his artistic breakthrough in Paris in 1895 with his posters of the world famous actress Sarah Bernhardt. Mucha's extensive work consists of prints, paintings, drawings and design objects of global fame. Since 1910, Charles R. Crane, an American millionnaire financed the highlight of Mucha's artistic work: "The Slav Epic". This series of 20 monumental paintings focusses on the history of Slavs. The film discovers these widely unknown paintings in a Moravian castle.

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Josef Václav Myslbek (June 20, 1848 -- June 2, 1922) was a Czech sculptor credited for founding of the modern Czech sculpting style. Josef grew up poor in a suburb of Prague. His family pushed him to become a shoemaker but he shirked the duty by getting a job with a succession of Czech sculptors. There was no school program for sculpting so he studied painting at the Academy of Fine Arts in Prague instead. Afterwards he opened his own sculpting studio. He became greatly inspired by the French sculpting style as well as related arts such as photography and literature. The Wenceslas Monument The Wenceslas Monument In 1871, Myslbek produced some of his greater works including a commission to do a set of statues for the National Theater. Later he would do busts and monuments of several famous Czechs such as Bedřich Smetana and František Palacký. By far Myslbek's most famous work is the statue of Saint Wenceslas, which is located in the center of Wenceslas Square. It took him over 20 years to complete but has since become one of Prague's most recognizable landmarks and a symbol of Czech statehood. Josef Václav Myslbek influenced an entire generation of Czech sculptors and his students include Stanislav Sucharda, Jan Štursa, Bohumil Kafka and Otokar Španiel. Myslbek, along with such other Czech notables as Bedřich Smetana, Antonín Dvořák, Karel Čapek, Mikoláš Aleš, Alfons Mucha, Jan Štursa and Ladislav Šaloun is buried in Prague's National Cemetery.